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"There isn't a comics artists alive who hasn't benefited from Will Eisner's masterful work and formidable wisdom."―Scott McCloud, author of Understanding Comics
In Graphic Storytelling and Visual Narrative, Will Eisner―one of the most influential comic artists of the twentieth century―lays out the fundamentals of storytelling and their application in the comic book and graphic novel. In a work that will prove invaluable for comic artists and filmmakers, Eisner reveals how to construct a story and the basics of crafting a visual narrative. Filled with examples from Eisner's work as well as that of artists like Art Spiegelman and R. Crumb, this essential work covers everything from the fine points of graphic storytelling to the big picture of the medium, including how to:- Combine words and images into seamless storytelling.
- Wield images like narrative tools.
- Master different types of comic book stories.
- Write and illustrate effective dialogue.
- Develop ideas that can be turned into dynamic stories.
- Sales Rank: #25256 in Books
- Brand: Eisner, Will
- Published on: 2008-08-17
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .50" w x 8.00" l, 1.03 pounds
- Binding: Paperback
- 192 pages
Review
Indispensable techniques from the mind of the master cartoonist who developed them. --Jeff Smith, award-winning creator of Bone"
Will Eisner is the father of the medium a living legend who started it all. I am continually in awe. He makes me proud to be a cartoonist. --Judd Winick, award-winning creator of Pedro and Me and writer for Green Lantern"
About the Author
Born in New York City, Will Eisner (1917–2005) created The Spirit as well as fifteen graphic novels and three influential drawing textbooks. The comic industry’s top awards, the Eisner Awards, are named in his honor.
Most helpful customer reviews
29 of 30 people found the following review helpful.
4 out of 5
By Mimerki
First off, Eisner does a great job of combining visual elements with his text in this book. The whole thing is illustrated with cavemen working on their storytelling technique, and I have to admit that the cavemen illustrations were great fun and always helped to clarify the how side of what he was saying in the text. Beautifully done. (Yes, I know, this is like saying, "Hey, y'know that Hemingway guy? Some of his stories were really good.")
Does it have any issues? Yes. It's 164 heavily illustrated pages. You can read it in an afternoon. And some of the illustrative pieces feel over-long for the point they are trying to prove. I hit the point on a couple of them where I found myself saying, "Yes, I get it. We needed the X in the beginning so we would understand Y now. Can we move on?" I also felt that, at 164 pages, he didn't really have the opportunity to go into depth on some areas. There's a point where he provided two bad examples of a comic script... and no good example. Aaaaah!
Even with those issues in mind, I have to give the book 4 caped crime-fighters out of five. It's well-written (though there are also some grammatical gaffs that make me want to scream), it's engaging, and it's instructive. Worth the read.
0 of 0 people found the following review helpful.
Great Book nice revised version of the out-date prints!
By Cody Meador
A must book for those wanting to learn more about the medium from one of the greatest storytellers whom many awards have been named.
15 of 15 people found the following review helpful.
Useful tips for the beginner artists
By Parka
[[VIDEOID:31057701]]Telling a good story is an incredibly difficult. In this book, Will Eisner shares with readers some of things to be aware of when tackling storytelling using comics.
He talks about techniques to use to help build a more convincing story. This would include comic tools like lettering, building momentum, using visual clues and writing. Examples include how props (i.e. guns) are held to reveal human characteristics.
There are lessons on how to engage readers, how readers think and mistakes to avoid. These are followed with lots of comic strip examples -- including a selection from different comic artists. Unfortunately, they aren't captioned page by page like it was done on his other books. The comic examples are great, you know it but you don't know why they work.
The book doesn't really go in depth into all aspects of storytelling. There's no talk on character development, story arcs, conflict management and specific story elements and tools.
Overall, this is still a very useful book for anyone who's just starting out and thinking of drawing their own comics.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
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